Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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unknow artist
Maximilian Joseph I, king of Bavaria

ID: 78149

unknow artist Maximilian Joseph I, king of Bavaria
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unknow artist Maximilian Joseph I, king of Bavaria


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unknow artist

  Related Paintings of unknow artist :. | slaget vid kopenhamnhamn 1801 | Arab or Arabic people and life. Orientalism oil paintings 419 | Self portrait | Arab or Arabic people and life. Orientalism oil paintings 146 | Anonyme |
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Frederic Yates (1854-1919) was an English painter. He gave up a business career to study painting in the Paris ateliers of Leon Bonnat, Gustave Boulanger, and Jules Joseph Lefebvre. In 1886, he moved to San Francisco where his family had settled a few years earlier. In San Francisco, he became a popular portraitist and taught at the newly formed Art Students League of San Francisco. On one of his visits to Europe, he made the acquaintance of the Dowager Marchioness of Downshire who became his patron and introduced him to London society. Yates was active in San Francisco until 1900, when he returned to England, where he lived at "Cote How" near Grasmere until 1906. During this period he painted the former United States president Woodrow Wilson and John Haden Badley. He died in 1919.
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Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.






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